Trois by Peter Marra

Gris-gris Double Friction

a mexican guitarist plays in the subway car
gets out at the next stop
falls to the track
in the shadows of his illness.

moth in subway car
lands on man’s bandana.
early morning: large
blood clot on a deserted platform.
wings flutter slightly.
red rivulets reach out to speak

down a street night
neon flesh sliced in half
going to bed / tonguing with leaves of glass
walking out into sound

hillbillies and wives shot down / shot up

sacred texts to watch out for
walk away walk away walk away

a silence for the swamp girls with their
lustful minutes and a boneless

corpse from madness in her backyard

eyes bleed
retinas spin
cornea explodes
watched the face
transplanted to the clouds
looking down now
at the grey snow
burning holes
in the windows
explores.
slick mice
time is out
time is off
the wall twists frequently and
a trap
we walk quickly to the heartbreak dance
so we can dance slowly then lie down
beat
beat
beat
against the wall

her heart cries slowly
comes to rest
on the concrete
 

Preacher

Watching the mommy
breastfeeding her child
as the last gospel
explodes from her heart

Watching the light
from the boulevard
cascade and ricochet
through the window onto the table

Watching the atomic faces
swoop down slowly alight on her spine
take root and cringe

Watching the body
fall to the floor
tremble then stop
waiting for the chalk line

Watching the night come
rising of the moon
laughing behind doors
as the plaster crumbles red

Neuron

Iron
sheets.

Sweat and blood coursing

The ganglion tightens around the bed,
Trapping

the
Sleeping shadow.

The glow of the glass gas tubes and

White noise massaging
the folds of the skull

Iron sheets and
Iron cages

And the cracked window.

Touch the leather glass

The nightingale frightens.

Iron sheets.

Frying
blood.

Claws
clutch at the figure

Reminders
and remainders.

The ganglion tightens around the house,
Trapping

the
Sleeping shadow.

Mom and dad
Hurt.

Sperm dancing
through
the dark light
sighing
as
it
comes to rest.

Watch.

She bends
down and
cries and
watches.

By Peter Marra

www.angelferox.com

Paper or Plastic?

Cycling down, compressing, Ronald watches as the arms and legs hanging outside the machine snap off like muted branches.  Thick and bleeding, they fall to the concrete floor, no longer a part of what once made them whole.  Occasionally—perhaps one in five—these appendages roll towards him, but most times they do not.  Inert, they remain still about his feet, pooling, each piece preceded only by the dull thud its weight creates against the floor.  It is Sunday, pre-church, and before the morning rush.

Does he care that they make fun of him?  Yes.  More than they could know.  Does Ronald show it?  Never—not once.  He is good at this; at holding things in.   He lets them stew, boil.   That is how he cooks; how the man inside him rolls.  In the mirror, naked, he repeats:  I am rage. 

At sixteen he is hit by a car.  It hurts, but he survives.   Scars come, many, and every day he limps because of it.   So what, he thinks.  It beats the hell out of being dead.  Dead can’t bring closure.  Dead could not extract revenge.  His right hand turns inward as well, up and towards his chest.  It resembles a claw, but one which has lost the will to live.  Chicks never look at it, not if it can be helped. 

At least I survived.

He says this whenever an associate asks.  And he says it with a smile on his face each and every time.  He believes it keeps them humble, the ones he secretly despised.  They think he never hears their whispers; that he could ever possibly know.  Each of them is wrong; all of them his rage.

Mr. Gray keeps him on at Mister Food even though Corporate doesn’t want him to.  Ronald gives the man credit for that.  He really, truly does.  Mr. Gray—tall, bald, bad breath—shouldn’t have done what he did though, and only because of what it would produce.  He should have given Ronald severance; just ensure he went away.  He did not however, and soon enough Ronald finds out that Mr. Gray is no better than the rest of the people behind his back.  He never yells at Ronald, nothing as vulgar as that.  But he whispers along with the rest of them, and at times Ronald would see him laugh.

The final straw involves the baler, and the day Mr. Gray takes him aside.  Mr. Gray says it is only meant to house cardboard and plastic—that only a bale of each could be made at a time.  Ronald says he understands; that it hadn’t been he who mixed the two.  It was then Mr. Gray chooses to call him a liar, and his voice, had it been raised?  Ronald can’t remember, only that his fellow employees have stopped in their tracks to stare.  One of them had been Cara, a girl Ronald wished he could call his own.  She would never fuck him though, and he was happy he held no delusions concerning that.

  “And Ronald, really, you need to be washing your uniform more than once a week.”  Ronald nods, takes what has been given, and then watches Mr. Gray walk away.  From the side he sees him roll his eyes as he passes Patrick, Bill and Mark.  They smile in return, the secret shared and understood.  The rage comes forward then, leaping, but Ronald smiles instead, his big grin containing what will no longer be contained.  Later, while masturbating, the staff meeting at the end of the month enters Ronald’s mind.  They are always held out back, where Mister Food keeps all its excess stock.  Mr. Gray purchases folding chairs and everyone gets a seat.  Beside these seats looms the baler, metal and brown, stickered and wide.  Plastic and cardboard Mr. Gray had said, saying it as though Ronald were new; that he hadn’t been an active member of the Mister Food Team for the past twelve years.   The baler produced rectangle kids after you fed its mouth and the plunger pushed down until it no longer could.  After that came the twine, six lengths of rope you tied off in order to hold the child you created in place.  Ronald was far from wondering about cardboard and plastic as he spasmed into his hand.  He was thinking about bodies; about stacking them high.  Could it be done, he thought, and realized he had been talking out loud.

“Mr. Gray?”

“What is it now Ronald?”

“At the staff meeting—could I be in charge of the refreshments?”  Pausing, Mr. Gray finally swivels in his chair.  “Of course you can,” he says.  Ronald notices that Mr. Gray is more than enthused that he has offered to do this.  Good for me, Ronald thinks—everyone needs a little happiness in their lives.

The dosage is enough, more than, and all but Florence had taken a glass.  It doesn’t take much to persuade her however, not once Ronald puts the full force of his limp on display.  She takes the glass, sips—comments on how peachy it tastes.  Thirty minutes later all thirty-seven employees lay prone before him.  Where to begin, he thinks, and suddenly he notices how hard his breath has become; how hard his heart is now knocking against his chest.  “I am Rage,”  he says and looks around, taking each of them in at a time.  I will be stacking you, he thinks, and then goes on towards Mr. Gray.  In time—stupid fucking hand—he gets the big man up, rolling him up and over the baler’s bottom lip.  Easier, he takes the cashiers next, each of them half the weight of Mr. Gray.  Eleven of them inside, Ronald closes the safety gate and then pushes the big green button on the side of the machine.  With a start and then a screech, the plunger descends, crushing breath and bone alike.  They never wake, not one of them.  They only bleed, forming a lake like syrup to which Ronald sees no end.

  The buggie boys come next, followed by the Stationary Department.  Of them all, Sheila the office girl proves the most difficult.  Over three hundred pounds, she is more than he can lift.  Using empty milk crates, Ronald creates the leverage he believes he will need.  In, she sinks half way down, her face coming to rest beside George from Frozen Food.  Amanda is beside them, her brain exposed and grey.  Done, he looks around at the empty chairs, at the skids full of overstock beyond.  He takes in the blood that continues to seep from the bottom of the baler and arms and legs that rest within.  Should I leave them, he thinks, but knows a job is not complete until you have cleaned up after yourself.

He makes a bale using twine that will never again be white.  It does not turn out as he had hoped, not as rectangular, nor as solidly built.

From skin that runs in flaps to muscle that hangs and drips, Ronald stands in front of the baler’s open door, squints into the chamber for all the faces he can still make out.  There is Stacy and Beth, both of them covered in Shawn.  Below them he sees Richard, the man finally inside Peggy-Sue.   And there at the bottom lay Mr. Gray, his bright eyes now dull, his nose below his mouth.  They would not be laughing anymore, nor would their whispers continue to come.

Washing up, Ronald changes into his extra uniform.  He then goes out and fills the milk.  He rotates the product as he’s been taught, finds that the person before him has not.  He sighs when he finds this; dejected to see that someone had not been doing their job as they were supposed to.  Finished, he takes his empty crates out back and piles them away.  He stacks the chairs as well, the ones Mr. Gray had rented for the day.  Making his way up front, he realizes he has lost track of time; that the customers have been waiting longer than they should, many of them now tapping their keys against the glass.  Opening the doors, they look at him weird, like they have never experienced rage before.  Have I missed some blood, he asks himself, and then he looks to his one good hand.  Seeing nothing, he welcomes them in; informs them that the cashiers will be up front shortly.  The customers smile in response to this, but Ronald feels that something is off.  He doesn’t know what, only that it is there.   The customers do not whisper however, nor do they laugh.

By Beau Johnson

The Lodge

Part one:

 A highway bends over the horizon.
 A walk through the entrance.

Judges sit at a long table
that vibrates from the music.

Fitful playthings touch you ever so gently
closing the windows

drawing the moldy curtains
they’re still accusing outdoors.

A rusty iron odor engages the viewers
Inside the cabin.

They performed surgery outside and
she enjoyed the feeling.

Given a new life
She breathes death into her followers

Final.

Next door the crave engine convulsed
with a female.

Part two:

A doll smiled.

A round room
semicircle window
silhouettes reflected

touch
touch
them

Part three:
slinky

slinky women scream
while dancing
wrapped in
shadows’ times
wood paneled fears / time to break out
rancid cats dancing
on her forehead

watch with delight
while the hangman’s card
quietly placed in
Persephone’s mouth is split
bodies here and there watch her sit
while she counts her fingers
a teaserama for the toy box
time to talk to the red women

outside is a red black sky

The final tornadoes touch down.

By Peter Marra

http://www.angelferox.com

Cost and Effect

“How much for those?” she asked, ogling my breasts.

I leaned back in my chair and stretched, buttons straining to be free, adding to the allure of the package.

“What do you think they’re worth?”

Her hands restless in her lap, baby rats squirming for their mother’s teat, I knew what she wanted.

“They feel great, too.  Certainly not fake, but better than real.  With a pair of these, the industry’s yours for the taking.”

Or faking.

“How much?”

I tapped a fountain pen against my lower lip, as if lost in thought.  Assessing her.

“What would you give for such a tempting rack?”

Her shoulders hunched up and down.

“My eye teeth.”

A hand fumbled for her bag, delivered her wallet onto my desk.

“Done.  You can pay me after.”

***

 She was drowsy after the procedure, the herbs took them that way sometimes.  The right address, a lab coat white as a Hollywood smile, and they didn’t ask too many questions.  Not till after.

“Can I touch them yet?”

I smiled, reassuring her.  It made it … tasty.

“Touch what you like, with our procedures there are no scars, no infections, no healing times.  Just… satisfaction.”

Ours.

Her hands squeezed 32Ds, plump and warm, and she sighed with happiness.

“Can I get you a drink?”

She nodded, tried to look around the room properly.

“My face feels weird.”

I nodded.

“It will for a while, but you’ll soon get used to it.”

Taking the glass of water in her hand, she tried to focus, and I trembled with glee.

“Shall I settle the bill now?  I love what you’ve done, I’m so happy.”

I couldn’t help a giggle leaking out like a spoonful of pee with a fright.

“You’ve already paid.”

She cocked her head to one side, frowned a little.

“But we never agreed a final figure.”

“Oh, we did.”

Her other hand found her face, tried to rub her eyes as she concentrated on what I’d said, then flitted from side to side as if in semaphore of terror.

Priceless.  The tapes were rolling.  My customers, my real customers would be very pleased.

“What’s this?  What’s on – my eye, what’s wrong with my eye?”

“I just did as you said.”

“Huh?”

I leaned in close, so close she could smell the sulphur on my breath.

“When we agreed prices.  You said.”

“What?”

Nearly a whisper, but the sound guys were good.  They’d have caught it.

“To give your eye teeth.”

And as she cried, as she wailed, I watched the tears creep past the thick white lashes of bone round her eye.

Now mascara; that might be a problem.

By Gill Hoffs

The Haunted Housewife

They called her the Haunted Housewife. She wore June Cleaver dresses from the 50’s. They were moth-eaten and dyed black to match the circles underneath her eyes. Her skin was doll’s porcelain, powdered into transparency. Some say she didn’t exist at all, that she was only a ghost who showed herself in the windows of the sinking Georgian manor on Pine Street. Holding a martini for a husband who would never come home and cooking dinner for children that could not digest anymore.

They called her the Haunted Housewife and her black hair was streaked white. Empty bottles of chemicals were found in the trash bin on the mornings after her sightings. Whole gallon jugs of Windex, tile cleanser, bleach and lye. The women would all whisper, what was she doing in there? Did she still clean that house? Did she polish the silver? Did she buff the floor? When did she emerge? Neighborhood children made a game of knock knock knock on her door. They ran away and hid behind the trash can and flaking picket fence.

She used to have a family the older women would say. She wasn’t always alone. One day no one was there, except the haunted housewife. Left to make empty beds, and iron unworn shirts. the police came. Everyone talked, but there was nothing said. Except that the husband and her two boys were never seen again.

Then, the children started disappearing in the woods off of Pine Street. Little boys with chubby cheeks, and a penchant for marble games, shooting things with BB guns. Winchester model. Hollering after a felled squirrel, compatriots would watch them fade into the forest fog. No one saw them after that. Now and then a boy’s sneaker would show up, smeared with mud with the faint odor of cleaning products.

Peering out she smiled, in the dark when they all slept. She was their joke but she had them all wrapped around her bony white finger, little did they know. Mounting the stairs she descended to the basement family room. It was set up just as they left it: trains, tv, molding floral print couch and reclining lounge chair. Underneath the big red wool rug, she pulled pieces of floor, exposing a locked door. Fitting the key carefully into the heavy lock the Haunted Housewife adjusted her heels, and opened up her real home. Down she twisted into the lighted hole where her family had multiplied like bunnies. Her husband sat at his work bench reading the paper, her boys were on the shag carpet with their Erector set, and the others . . well the others had come to live with them forever. Once her husband had said she should take up a hobby, now she was quite proud of her work. Taxidermy was a very considerate art after all.

By Emily Smith-Miller

A Bloodied Ear of Corn

“When maidens find red ears of corn,

They shall be paired before the dawn”

This golden field slopes like her chest; the fence posts mirror my own.  But it’s not just breasts I lack.  She has the hair, in near pubic curls, dimples like pock marks, boring blue eyes… everything the village boys could want or need.  I can ride a horse so fast you’d swear I was centaur, slice a sickle through wheat as if twirling in dance, and twist a lamb in its mother so the feet slide out first and there’s profit for morning. 

But to my folks, to those boys with their awkward walks and sliding eyes, stiff trousers and fiddling pockets, I’m the runt of the litter.  Except when I try and talk to them about her, about the realities of living with my sister, her sniffs and whining, delicacies and deceit, they call me that but substitute with a ‘c’.

I need a mate, I need escape.  My own farm to run, and a cart for the market.  A bed to lie in, roll on, and share.  No more making do.

So I’m making don’t, won’t and can’t.

We’re out in the field, and I’m cutting the corn.  She bends to sniff a poppy then scarlet blossoms further than petals, wetter than tears, stickier than mud.

Who they going to marry now?

By Gill Hoffs

The Shadow Factory

She never needed to reload.
 
It had only been a week, and you said the word “bed” with the wide innocent eyes of a child as in “Are we going to?” and she really didn’t know what to say to you. She could see your expectant smile shining in the darkness, could feel your heartbeat thrumming the dead air of silence around her, but there were no words. Not for you.
 
She knew what you wanted, could feel it under your skin when you fucked her on the lino in the kitchen and against the dumpster in the parking lot and on the roof of your wife’s car. Yes, she could feel it, and she wanted to cut it out, wanted to find you in the morning, a distant dream, a sigh that barely brushed up against the linen. Too soon, it was just too soon. She’d made the same mistakes before…
 
Mathew 7:16. He wouldn’t kiss her on the mouth after she’d sucked the fuck out of him. “Selfish,” she thought, every single time he came. His blood was slow and thick and tasted of tequila and mothballs.
 
Sometimes the dead speak to her. She would strip the sheets from the mattress and lie amongst them naked, listening to their complaints in the dark, the streetlights through the blinds marking the room off like the scene of a homicide. Sweat, and piss, and shit, and vomit. She could smell them all, taste them all, on the soft folds beneath her body.
 
Jake 5:22 would never look at her when he came. Called her by his mother’s first name when he fucked her, and then he’d call her a whore. “Too needy,” she thought every single time he refused to look at her cunt. His blood was slick and gritty and tasted of grease.
 
Simon 3:18 would only ever fuck her in the ass. Said it looked like a nice tight schoolboy’s ass. There was no blood in his veins.
 
You were different though, 1 week 3 days and you couldn’t help but say the words, even if you didn’t mean it. But you’d have to mean it before you could join her here, in this private space between hope and pain.
 
You’d have to make her believe it,

Before she could ever accept your stain.

By Cheryl Anne Gardner

Hang

They held him down and wired his hands behind him, the wire cutting tight into his meaty wrists, then stood him up and blindfolded him then marched him into their vehicle and drove him away. He was in some wooded lot but now they were taking him somewhere else, where he didn’t know, couldn’t know, had no chance of seeing where, all he knew was that they were driving and he was being driven with wired wrists and blinded eyes.

At least they didn’t gag his mouth.

“Where are you—”

The smack made him feel its sting, numbing his jaw. He couldn’t tell if it was really a smack or a punch but it hurt so bad he couldn’t speak. He wanted to know where they were taking him of course but now it didn’t matter because he knew that in less than an hour he would be dead anyway. At least that’s what they said before when they wired his hands.

In what seemed just a few minutes the vehicle stopped. He heard shuffling feet but no voices. Then a door opened and he felt angry hands grab at his arms and yank him up and move him. He stumbled on something then felt what he guessed was pavement. He sensed the presence of one of them close to him but wasn’t sure if it was the vehicle or something else.

Then he heard what struck terror all through him.

Traffic.

The sounds of passing vehicles emanated from somewhere. He felt himself being moved, walking forward. The sounds seemed to get closer. They seemed to be coming from below his range of hearing.

I’m on an overpass.

He heard a vehicle pass nearby, then another, but the continuous sounds confirmed it.

I’m standing on an overpass. They’re going to throw me off.

Suddenly he felt something being wrapped around him. Something that felt like a rope, or maybe a longer wire. He felt them putting it under his arms and tightening it around his chest. Someone was behind him pulling at it, getting it tighter, now too tight. It constricted him, but he could still breathe well enough. But it was too tight, it cut into his flesh, moreso than the wire on his wrists.

Someone pulled at his hair from behind and yanked his head back. The traffic seemed to get louder in his ears. Someone spoke from his left.

“You had many chances. We gave you so many chances to tell us but you refused. You signed your own death wish.”

The pain in his chest became more intense as he felt himself being moved again, but only a few steps until he felt something solid against his hips. Hands from both sides lifted him sideways, to his right, and he felt the solid thing on his shoulder and legs and hip. Hands pushed his feet forward and then he felt himself drop. Whatever it was they tied tightly around him cut deeper into the flesh of his chest and back, against his armpits. The pain was excruciating and his mind raced, realizing that he was being lowered into the sound of all that traffic, which was no doubt an expressway during rush hour.

The air was cool and he felt a breeze on his face, but it did nothing to diminish the pain. The sound of the traffic, the passing vehicles, got closer. He began to focus on his feet, knowing that soon he would feel something strike against them, and hard. It would be the top of a semi more than likely and maybe the impact would crack his feet right off. A semi going 70 miles an hour could do that, he thought. He instinctively bent his knees to raise his feet up but then he thought that would be even worse if his knees and legs got it so he straightened them out again and tried to think of something else, anything else, which was hard to do when you’re being lowered into oncoming traffic, all those vehicles rushing to get to work or wherever the fuck they were going, and then suddenly blowing their horns since they’re seeing you now, you, a body hanging off an overpass, your eyes blinded by some wrap, the cars and the trucks and campers and motorcycles not seeming to slow down but instead speeding up, why would they do that, shouldn’t they be stopping, but no, they can’t just stop, there are hundreds of them, they can’t stop, you’re not some ornament on a tree or some landmark they need to look at, you’re just a body hanging from an overpass and that fucking semi just took off your feet and you’re swinging around and being lowered even further, right in the path of a Winnebago and BAM it bashes against your chest and those wires cut into your ribs, you feel as if they’re gonna cut you in half but they don’t, you’re just bashed by another one and you see that your legs are deformed and lower you go so that you’re level with the oncoming traffic, a little break in it but that’s no relief since your ribs are cracked and there’s blood dripping out of your legs where your feet were and BAM right in the fucking head another one hit, it hit the wire that hangs you there too, and you’re catapulted around and back so that you’re struck by yet another one, and now it’s all black and you can’t feel much now, can’t see that your intestines are hanging out of your bloodied torso, those wires still slicing through you as if you’re a block of cheese, but soon it’ll be over, soon you’ll be splattered on the fucking freeway like a deer and you’ll be a carcass, bashed open like a human pinata, all those cars and trucks and whatever else swerving to miss hitting you, their drivers unaware at first of what’s in the road, maybe it is a deer but no it’s a fucking person, oh my fucking god, it’s a person and then you’re done, you’re history, everything’s over, there’s blood and guts and brain matter and limbs in the road, your torso and head are all that remain intact, they’re still lovers, they still love each other so much but they died together, your head cracked in half but still connected to the neck, the neck still connected to the shoulders, but what bloody mayhem of a mess you are now, you’re just a dead thing in pieces that had been hanging from an overpass. That’s really all you are.


By Jeff Callico

The Game

It was the game. This is how we played.

 You wanna be a warrior bitch? Well we’re stuck in this together, we have to  hunt as a team, we have to fuck as a team, we have to go down like a team. It seemed like a whack job to me but no one was ranking too high on the sanity charts in this fucking warehouse. If you got bit you were taken back and whoever your team was had to deal with you, take responsibility for you.

 Sara got bit, she was heaving and sweating, putting on the battle gear, muttering ‘cunts’ under her breath. ‘Fuck you Sara,’ I said. I didn’t want to die on her bitch ass account, because she couldn’t figure out how to keep biters off of her. Yeah she could move fast but she got in tight spots all the time. She was weak, and we all knew it was only a matter of time before this was going to happen.

We were holed up in a warehouse . . . yeah, it was fucking stocked warehouse, food, water, tools, clothes, and lingerie. Cons, the self-proclaimed leader of our band of refugees, thought it only fair for the women to put on the skimpiest lingerie and the highest heels when battling a lost team member. In his mind we were gladiators, should be able to fight with the most unfair advantages, and with the most skin exposed for possible flesh wounds. Because, to Cons, we fucked up, our team fucked up and Sara was turning into a flesh ripper because of our fucking negligence, so death better be breathing down our goddamn necks.

Tory hit me with one of her heels between the shoulder blades, ‘You were on Sara watch, Ella, now we’re all in this shit.’ I snarled at her and recoiled. I knew it was my fault and as Sara started drooling blood and foaming at the mouth I knew I might be fucked. No one had my back. They were gonna fucking throw me at her. I slid on assless pink hot pants and a matching pink leather bra strap. My heels were well beyond 6 inches of clear plastic, picked out by my caring team members, you know the kind preferred by strippers and straight up hookers. Sara was wearing something equally garish with peach zombie nipples poking out from her now crooked electric blue bra top. The other girls dressed accordingly in thongs and babydoll nighties with stilettos strapped firmly on. They were back up. I was the team leader, I was going in, hand to hand. I had to snap her fucking neck.

‘Alright bitches’ Cons said from one of the warehouse platforms. ‘We lost my baby girl Sara today and you can bet one of you puntas is gonna put her down like a family dog, or get what you deserve and die trying.’ He paused with a glaring eye at me, but I just flicked my red hair. It really wasn’t my fault he was banging the cum slut who couldn’t go for a simple weapons run without getting her goddamn arm bit by a stray. Fuck. I’d survived in a convenient store alone with a dull hatchet longer than she’d stayed alive with us.

Now she was frothing and now she was ready to go. As if she knew I was the target, that little cunt charged right at me, my ‘team’ didn’t even have to guide her in my direction. She bowled me over with her snapping dead breath rotting right in my face. Pressing my forearm against her throat I kept her at bay, but she was getting stronger the longer she was dead, the less her muscles reacted to human feelings. I managed to wedge my enormous plastic heel in her pubic bone and kick her off, back into the cement warehouse wall. The girls whooped, Cons grimaced. He really wanted Sara to rip my scalp open. But I had her now, disorientated against the wall. I made my move and lunged ready to go for the final spinal snap. Right as I reached in and twisted Sara’s spindly neck that’s when I felt it, the incisors raking against my arm. Breaking skin. Biting, hard. Sara fell at my feet. No one said a word. It was still and quiet, then a click as Tory took the safety off her gun.

‘No,’ Cons said. ‘Let me.’

By Emily Smith-Miller

To Free Yourself

 I’m sitting in the kitchen sink.

 Some rags, twisted and corded like sundried snakes, sit beside me and I’d like it if one of them was long enough so I could string it to the light fixture on the ceiling, hang myself and get this charade over with, but at the end of the day, I couldn’t do that to the kids.  Not that I haven’t thought about it.  Not that Duane would miss me a whole lot.  He keeps telling me I’ve let myself go to hell.

 “Why don’t you take those damn wedding pictures down?  Aren’t you ashamed when people come over and wonder who that is?”

I don’t know how I got here.  They say no little girl imagines herself growing up being a prostitute.  No one dreams of being homeless.  I sure didn’t figure on ending up this way, as this version of me.  Yeah, I guess this is me: Darlene Rosemary Schadle Hockaday.

How did I even get in this sink?  Blackout?  My butt’s so big that I’m stuck now.  Kids are fishing with their daddy.  When Duane gets back he’ll probably keel over from laughing.  Bet he’ll say, “I’ma leave you there till you lose enough weight to free yourself.  How’s that for a homemade diet?”

Duane thinks he’s witty, a card, thinks I don’t know about Lila and the reasons why he started trimming his beard and nose hair.  The poem I found broke my heart, not because it was about her, but because it was beautiful.

Don’t think I can’t see you there, Mr. Butcher Block with your black-handled knives.  I do.  I know I could grab the longest and shove it through my chest and be on my way home to meet my maker or the other guy that runs the hot springs.

Come to think of it, I will have me one of those knives.  It’s a stretch—it’s always a stretch when you’re my size—but I reach over and get a big blade.  I don’t even think about it, just set to work right quick because I know if I hesitate I’ll plumb chicken out.

My housecoat rips apart easily, like toilet paper.  It’s the meat around my hips that gives me fits, that hurts like hell, but even still I’m committed.  The blood comes in rivers.  I don’t care.  I wince.  I slice and saw.  When I’m done there’s a real mess to clean, yet it feels good in a queer sort of way, having freed myself.

By Len Kuntz